Archives for posts with tag: Mark Rothko

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La Gazette du Bon Ton, cover by George Lepape, cape by J. Lanvin, 1923

No_61_Mark_Rothko

Mark Rothko

Blue goes well with more blue….different shades together are intense, sensual and powerful.

Horst P. Horst Vogue USA,fashion ed Babe Paley,1946

Horst P. Horst, Babe Paley, 1946

Horst P. Horst is here using tones of blue to give depth and a sense of intrigue to his portrait of one of the most powerful women in New York just after the second World War, Babe Paley, Vogue USA’s feared fashion editor.

But blue works well with a number of colours (see my previous post on blue and red), in some cases muted shades such as green, give a light spring/summer feel to an outfit

Derwent Lees,girl in black hat,1912,NGVictoria

Derwent Lees, Girl in black hat, 1912, National Gallery of Victoria , Australia

Electric blue and grey are dynamic and work well for this child’s dress from 1918, but this colour combination would not be out-of-place on today’s catwalk

Bernard Meninsky,child in blue,1918,pc

Bernard Meninsky, Child in blue, 1918, pc

Blue and any acid colour has a stunningly fresh effect, catching our attention every time

Blue and orange:

beckmann-autoritratto-in-giacca-blu-1950,St Louis Art mus

Beckmann, self-portrait in blue jacket, 1950, St Louis Art museum, USA

Or blue and yellow:

Ethel Spowers, skaters, 1931 Bonhams

Ethel Spowers, skaters, 1931 (Bonham’s, London, UK)

mark rothko

Mark Rothko

Mme Gres, sleevless dress, 1968 with overcoat, met ny

Mme Grès, maxi dress + coat, 1968, Paris, Metropolitan Museum of Art , NY, USA

Mme Gres, sleevless dress, 1968

the dress

Mme Gres, sleevless dress, 1968 back, met ny

the back of the dress

Yellow also works splendidly with a greener shade of blue:

feather tunic, 7th-10thC, feathers sewn on cotton fabric,MET NY

Feather tunic, Peru, 7th – 10th century, Metropolitan Museum of Art, NY, USA

man shirt,embroid damask

Man’s short sleeved cotton Bazin top with yellow embroidery, west Africa, 21st century

Jeffrey-Campbell-shoes-Lita-(Blue-Green)-010604

Jeffrey Campbell shoes, USA, 21st Century

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Rothko_No_14

Mark Rothko

Back to the topic of colour combinations, this time its red and blue, an all-time fashion favorite. Why? The hot red is perfectly balanced out by the cold blue. Its bold, clean and sharp to look at. This combination really needs bright, natural sun light to set it off, therefore usually seen in spring and summer outfits.

And it seems they understood this very well in the Renaissance:

Palma Vecchio, La bella,

Palma il Vecchio, La bella, 1518-20c,Thyssen-Bornemisza Coll, Madrid, Spain

A slight variant of red and deep purple from later in the 1500s:

KONICA MINOLTA DIGITAL CAMERA

Trachten buch, Habitus praecipuorum, Neapolitan lady, 1577

Despite the invention of artificial dyes in 1853 (when just about any daring colour combination became possible) red and blue remained a constant of the 1800s and the 1900s:

Englishwoman's domestic magazine,sept 1869

Englishwoman’s domestic magazine, fashion plate, September 1869

Philippe Poittier, L'Officiel, 1963, C.Dior

L’Officiel, photo: P. Poittier, outfit: C.Dior, 1963

Men’s fashion is not immune to this colour combination either, although as we can see in the examples below, there is also an element of sports uniform (especially in the stripe motif)

hs162-redbl.jpgred and blue sock Cordings uk

Cordings, Uk, striped sock, 2014

Nike Air jordan retro

Nike, Air Jordan retro

And finally a non-western take on this colour combination: shades of red/fuchsia and blues as used by Tibetan monks still today

tibet,monaco in preghiera

Just shows that clothing and colour can be a spiritual experience, some combinations can have a deep emotional impact on wearer and onlooker.