Archives for the month of: January, 2015

Rothko_No_14

Mark Rothko

Back to the topic of colour combinations, this time its red and blue, an all-time fashion favorite. Why? The hot red is perfectly balanced out by the cold blue. Its bold, clean and sharp to look at. This combination really needs bright, natural sun light to set it off, therefore usually seen in spring and summer outfits.

And it seems they understood this very well in the Renaissance:

Palma Vecchio, La bella,

Palma il Vecchio, La bella, 1518-20c,Thyssen-Bornemisza Coll, Madrid, Spain

A slight variant of red and deep purple from later in the 1500s:

KONICA MINOLTA DIGITAL CAMERA

Trachten buch, Habitus praecipuorum, Neapolitan lady, 1577

Despite the invention of artificial dyes in 1853 (when just about any daring colour combination became possible) red and blue remained a constant of the 1800s and the 1900s:

Englishwoman's domestic magazine,sept 1869

Englishwoman’s domestic magazine, fashion plate, September 1869

Philippe Poittier, L'Officiel, 1963, C.Dior

L’Officiel, photo: P. Poittier, outfit: C.Dior, 1963

Men’s fashion is not immune to this colour combination either, although as we can see in the examples below, there is also an element of sports uniform (especially in the stripe motif)

hs162-redbl.jpgred and blue sock Cordings uk

Cordings, Uk, striped sock, 2014

Nike Air jordan retro

Nike, Air Jordan retro

And finally a non-western take on this colour combination: shades of red/fuchsia and blues as used by Tibetan monks still today

tibet,monaco in preghiera

Just shows that clothing and colour can be a spiritual experience, some combinations can have a deep emotional impact on wearer and onlooker.

 

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Felice Casorati, the red jacket, 1939, MART Rovereto, Italy

 

In this, and the following posts, I shall let my selection of images speak for itself. Colour can be quite fascinating, especially when worn in contrasting combinations.

I will begin with a personal favourite of mine: red and burgundy. The brightness of the red is reflected yet absorbed by the muted tone of the burgundy. Exciting.

mark-rothko1

Mark Rothko

Back in the Renaissance it was actually men who favoured this colour combination

D.Ghirlandaio,man,met NY

Domenico Ghirlandaio, man,  15th century, Metropolitan museum New York USA

Alfonso I d'Este,Duca di Ferrara marito Lucrezia Borgia

 

Dosso Dossi, Alfonso I d’Este Duke of Ferrara

By the 1800s, initially due to Romanticism and Renaissance revival,  it was very popular with women too

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J.E. Millais, actress Kate Dolan impersonating Portia, 1886, Metropolitan  museum, New York

J.S.Sargent, Ena e Betty Wertheimer,1901,tate

John Singer Sargent, Ena and Betty Wertheimer, 1901, Tate Britain, UK

In the above portrait, the contrasting combination of colours is not in the actual dress – which is a rich light burgundy –  but it’s created by the eye-catching red flowers worn in the sensual dark hair of the sitter.

Charles James,evening dress,1949,Kent state uni usa

 

Charles James, evening dress in silk and velvet, 1949, Kent State university collection, USA

Fashion Italy 1960

Sorelle Fontana atelier Rome, Wool and velvet day suit, 1960 (1960 Italian fashion magazine photo)

nike 2014

Nike sports shoe, 2014